Stephanie Fynn is an artist and designer whose current design practice centres on developing interactive projection artworks for people of all abilities. With the support of The Cultural Trust, Stephanie will attend a series of five workshops at the Copenhagen Institute of Interaction Design, Denmark, with a focus on people-centred, accessible and inclusive design.
Last year soprano and 2017 grantee Georgia Wilkinson undertook a series of vocal tuition and mentoring opportunities in both London and New York with the support of The Cultural Trust. Here she writes about her experience and what it has made possible since her return to Australia.
Screen composer and new grantee Angela Little is destined for big things. With nine years of professional experience composing for film, documentary and television, she is ready to take her practice to the next level, by exploring new directions in screen music and working towards her goal of becoming a lead composer on internationally recognised projects.
Since presenting at her first international conference in Maine and undertaking a residency at The Wassaic Project, New York, 2016 grantee Georgia Saxelby has established herself in the U.S. as an artist to be reckoned with. She wrote to us from Washington DC about the ethos behind her project To Future Women, which memorialises last year’s historic Women’s March and has received widespread acclaim.
In the depths of Neukölln- a suburb in West Berlin inhabited by Germans, artists and Turkish families- is an abandoned children’s hospital. I used to live nearby and became fascinated with photographing the two buildings.