Use our database to explore the grants and commissions awarded throughout the Trust's 30+ year history.
Alister Barker
To undertake a twelve-month Diploma in Professional Performance in cello at the Royal Northern College of Music in Manchester, UK, September 2001 - August 2002
Program
Emerging Artist Grants
Practice Area
Music
Amount
$3,000
Year
2002
Andrew Ford
'Tales of the Supernatural', a 25 minute sequence of folk songs about love and the supernatural, for voice and string quartet. For possible inclusion in the 2003 Australian String Quartet season (using Robyn Archer as the voice).
Program
Arts Commissions
Practice Area
Music
Amount
$9,200
Year
2002
Andrew Simpson
To undertake an 18-month Master in Architecture at Harvard University, Boston, USA, from September 2001
Program
Emerging Artist Grants
Practice Area
Design
Amount
$5,000
Year
2002
Anita Kyle
To attend the 34th Summer Vocal Institute for Singers and Pianists at the American Institute of Musical Studies, training in singing, to be held in Austria, six weeks during July - August 2002
Program
Emerging Artist Grants
Practice Area
Performing Arts
Amount
$5,000
Year
2002
Andrew Byrne
The Othersiders - a forty-minute, multi-movement work for voice & electric ensemble exploring ideas of the political activist William Lane (1861-1917)
Program
Arts Commissions
Practice Area
Music
Amount
$10,000
Year
2002
Andrew Fyfe
To undertake a three-month internship with Elia Centurion working with Pre-Columbian state collections in Peru and a one-month's visit to archaeological sites and regional museum and around the cities of Cuzco and Trujillo, Peru, April - June 2002
Program
Emerging Artist Grants
Practice Area
Conservation/Moveable Cultural Heritage
Amount
$4,000
Year
2002
Andrián Pertout
To attend the 2002 Asian Contemporary Music Festival - The 22nd Asian Composers League Conference & Festival in Seoul, Korea, five days during May 2002
Program
Emerging Artist Grants
Practice Area
Music
Amount
$2,500
Year
2002
Astrid Pill
To perform with Polish theatre company, Song of the Goat Theatre on the creative development and showing of 'Song Of Solomon'